We’re glad and grateful you’re here!

Gallery Rasa, by Rakesh and Radhika Sahni, has made its presence felt since 1993. Situated in a three-storied building in New Alipore, Kolkata, it houses The Gallery Rasa Archives and collection of rare artworks of Indian modern and contemporary art, crafts and film memorabilia.
 
We promote it an active space for art enthusiasts, collectors, research scholars and art historians to foster discourse and facilitate a deeper understanding and appreciation of art.

The Gallery Rasa Archives

Gallery Rasa Archives is an ever evolving and ongoing effort to bridge the gap between knowledge and those who seek it. Initiated in 1993, GRA has grown to encompass a comprehensive collection of rare journals, books, newspaper articles, catalogues, and artist correspondences encompassing different art practices, classical Indian art, folk art, crafts and film studies.
 
GRA functions through its two pillars: Visual Archives and Bibliography. The Bibliography section offers insights into diverse range of subjects spanning Indian Art, Crafts, Architecture, Film and Culture.
 
The Visual Archives addresses the urgent need for a platform to study the art practice of individual artists, to analyze various movements in art history and to conduct in-depth research in specific mediums and artist initiatives.
 
The two pillars compliment and strengthen each other and in cohesion will allow you to forge new ways of perceiving and interpreting. This, we hope, will give impetus to art aficionados, historians, archivists, students, academicians, professionals and even an enthusiast, to seek a broader understanding of art and culture in our nation.
 
Films apart from being a medium for entertainment and expression, are a reflection of the society that create and enjoy them. Films bring people together through their emotions and experiences and certain films and characters are immortalized in our minds gaining an extremely personal value. This value often instills a raging curiosity and lovers of films satiate this by collecting film memorabilia.
 
In the Bengali Film Archives, we aspire to provide audiences a peek into the world behind the magic of the silver screen that it so ravenously desires. In line with our commitment to research and archiving, this section provides detailed bibliographic information on Bengali Cinema from the silent era till the year 2000.
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Radhika & Rakesh Sahni

the founders

Archivist-Collector and the Founder-Director of Gallery Rasa, Rakesh Sahni has been promoting Indian modern and contemporary art and has been passionately involved in curatorial and archival ventures. Rakesh and his wife, Radhika Sahni, founded the gallery in 1993 and have since worked tirelessly to build the exhaustive Gallery Rasa Archives through collection, systematic archiving and digitisation. The archives range from rare artworks of Indian modern and contemporary art, crafts, to invaluable books and film memorabilia. The husband-wife duo is also deeply involved in philanthropic ventures.

With years of experience in curating and designing niche travel experiences for diverse groups of international travellers, Radhika’s strength in communication and her ability to understand the needs of each individual client were honed. It led her to discovering a passion for working with and amongst people. A Welham Girls’ alumni, she remains invested in community-based initiatives. She also mentors young adults, enabling them to manage and pursue their higher education goals effectively and create their own success stories. Radhika is central to establishing and maintaining Gallery Rasa’s relationship with artists.

Besides running the gallery, Rakesh is also the Founder-Trustee and Vice-Chairman of NGO Trinayani (www.trinayani.org), involved in creating awareness, inculcating diversity and inclusion, and demystifying disability. At Trinayani, he works towards creating the larger vision of the organisation and works closely towards its implementation. Rakesh Sahni has been an active member of Round Table India both in the area and nationally as Convener: Human Resource and Development. Since 2012, Sahni has been an active member of Rotary Club of Calcutta Midtown spearheading Global Grants under Project Dignity, building more than 600 toilets in the Sundarban area of West Bengal. He has also served as President, Rotary Club of Calcutta Midtown (2018-19) and the club received several notable awards under his tenure.

Archivist-Collector and the Founder-Director of Gallery Rasa, Rakesh Sahni has been promoting Indian modern and contemporary art and has been passionately involved in curatorial and archival ventures. Rakesh and his wife, Radhika Sahni, founded the gallery in 1993 and have since worked tirelessly to build the exhaustive Gallery Rasa Archives through collection, systematic archiving and digitisation. The archives range from rare artworks of Indian modern and contemporary art, crafts, to invaluable books and film memorabilia. The husband-wife duo is also deeply involved in philanthropic ventures.

With years of experience in curating and designing niche travel experiences for diverse groups of international travellers, Radhika’s strength in communication and her ability to understand the needs of each individual client were honed. It led her to discovering a passion for working with and amongst people. A Welham Girls’ alumni, she remains invested in community-based initiatives. She also mentors young adults, enabling them to manage and pursue their higher education goals effectively and create their own success stories. Radhika is central to establishing and maintaining Gallery Rasa’s relationship with artists.

Besides running the gallery, Rakesh is also the Founder-Trustee and Vice-Chairman of NGO Trinayani (www.trinayani.org), involved in creating awareness, inculcating diversity and inclusion, and demystifying disability. At Trinayani, he works towards creating the larger vision of the organisation and works closely towards its implementation. Rakesh Sahni has been an active member of Round Table India both in the area and nationally as Convener: Human Resource and Development. Since 2012, Sahni has been an active member of Rotary Club of Calcutta Midtown spearheading Global Grants under Project Dignity, building more than 600 toilets in the Sundarban area of West Bengal. He has also served as President, Rotary Club of Calcutta Midtown (2018-19) and the club received several notable awards under his tenure.

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Siddharth Sivakumar

Creative Director

Siddharth Sivakumar is an art manager, curator, art critic, and writer. Between 2020-24, he was the Head of Visual Arts and Publication at the multidisciplinary Kolkata Centre for Creativity. He has organised and executed over 30 wide-ranging exhibitions. Among his notable projects are The Legacy of Loss: Perspectives on the Partition of Bengal (2021), the multi-volume Satyajit Ray Centenary Show (2022), the unique immersive exhibition highlighting Nikhil Chopra’s practice titled The Afterlife of Performance ft. Nikhil Chopra (2022), and the travelling exhibition Scenes from Santiniketan and Benodebehari’s Handscrolls (2023), as well as Comics in Bengal (2024), which shed critical light on a century of Bengali comics.

Siddharth frequently contributes to catalogue essays, his most recent piece being ‘A Symphony of Twelve: The Evolution of Bengal Art Through 12 Masters’ for CIMA Art Gallery. He also regularly writes in art magazines such as Art and Deal, ArtEast, and Art India and reviews for newspapers like The Telegraph and The Indian Express.

Siddharth Sivakumar is an art manager, curator, art critic, and writer. Between 2020-24, he was the Head of Visual Arts and Publication at the multidisciplinary Kolkata Centre for Creativity. He has organised and executed over 30 wide-ranging exhibitions. Among his notable projects are The Legacy of Loss: Perspectives on the Partition of Bengal (2021), the multi-volume Satyajit Ray Centenary Show (2022), the unique immersive exhibition highlighting Nikhil Chopra’s practice titled The Afterlife of Performance ft. Nikhil Chopra (2022), and the travelling exhibition Scenes from Santiniketan and Benodebehari’s Handscrolls (2023), as well as Comics in Bengal (2024), which shed critical light on a century of Bengali comics.

Siddharth frequently contributes to catalogue essays, his most recent piece being ‘A Symphony of Twelve: The Evolution of Bengal Art Through 12 Masters’ for CIMA Art Gallery. He also regularly writes in art magazines such as Art and Deal, ArtEast, and Art India and reviews for newspapers like The Telegraph and The Indian Express.

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Siddharth Sivakumar

Creative Director

Anup Dey

Manager

Avery Banerjee

Associate Editor

Narayan Rajak

Admin & Logistics

Narayan Rajak

Admin & Logistics